River, Blood, And Corn: A Community of Voices

At River, Blood, And Corn, we are promoting community and strengthening cultures with storytelling, poetry and prose. Established in 2010 by Native writers, our starting point, and our goal, is to honor the work of Lee Francis III, and Geary Hobson, founders of Wordcraft Circle of Native Writers and Storytellers, working to ensure the voices of Native writers and storytellers past, present and future, are heard throughout the world. A variety of writers, backgrounds, communities and viewpoints are presented here. Included in our themes are the Elders whose lives inform, instruct, shape and change ours. 
 
While our primary focus is Native and Indigenous writers, we have woven writers and artists from a variety of ethnicities and communities into our pages. Perhaps people of many ethnicities, including recent immigrants from throughout the Americas as well as other parts of the world will find something in this collection that will speak to them with respect to issues of race, identity, culture, community, and representation. 
 
Thank you to our writers, editors and readers. We are honored and grateful to each one of you.

Sacred Grief

by Hollee A. McGinnis a.k.a. Lee Hwa Young 
 
Because we lost 
families and cultures 
as children, before we had words 
and could only express 
the loss and grief 
through our bodies, 
crying, acting out, 
behaviors that adults want to stop, 
we learned we do not 
have permission to grieve. 
 
And yet, grief is the holding 
of the paradoxical and simultaneous 
experience of love and loss. 
We grieve because we loved. 
We grieve because we have lost that love. 

We loved our mothers, fathers, 
sisters and brothers. And 
we lost our mothers, fathers, 
sisters and brothers. 
 
Why not give permission 
to grieve that love that was lost? 
 
This is the grief 
that never gets expressed 
and released: that turns 
into anger, self-loathing, hate. 

We have all experienced love 
and the loss of that love. 
 
Through a parent, 
who did not return our devotion, 
a lover, who no longer 
matched our passion, 
a friend who turned enemy, 
a death. 
 
We find it 
hardly bearable 
to imagine 
we loved so much 
and were so loved. 

And not believing 
ourselves to be 
loveable and loved, 
we cannot access 
the doorway 
that is offered 
by sacred grief 
because we are in denial 
that we were ever loved. 
 
And so, we sit 
only with the loss, and 
we think we are grieving 
all we lost. 

But the sacred grief 
is the realization: 
we are grieving 
our knowing 
of how much we loved, 
of how much we are loved. 
 
Copyright © Hollee A. McGinnis. All rights reserved. 
 
Hollee A. McGinnis, MSW, PhD, is a scholar, writer, healer, and wayfinder. Adopted from South Korea, she has worked for decades in community organizing, policy, and research on childhood adversity, adoption, complex trauma, cultural loss, identity, and mutual aid. As a wayfinder, she integrates Western science and Eastern ancestral wisdom for transformation and healing. 

A Winter Solstice Love Story

by Terra Trevor

For forty-three years I lived on the Central California Coast in an area that makes up the traditional Chumash homeland. In those beautiful days our solstice celebrations were rooted in the traditional ways of the Chumash. 
 
Four years ago, I moved away, away from the land and people who raised and shaped me. Now I’m living near my grandchildren on the Northern California Coast. Everything is still new for me, unfamiliar. I’m walking gently while this Indigenous California landscape in Ohlone territory teaches me who I am. 

For the record, I’m not Chumash. I’m mixed-blood Cherokee, Lenape, Seneca and German descent, with ties to Korean. And I hold the culture, traditions, and history of the Chumash people in my heart. This is their heritage, their life blood, and their landscape of time. And for all Native people Solstice is a time to honor the connection to our ancestors, to the rhythm of nature and our continuing deepening ties. 

In my bones I remember, and I can still hear and feel the slap of the wansaks’—a musical instrument made from the branch of an elderberry—beat out a steady rhythm and a mix of laughing voices of my friends gathered contrast with the drift of fog and the heavy surf pounding. Lanterns are lit against the darkening evening and a fire is built, where storytelling takes place. Salmon is on the grill, potatoes are roasting, and the picnic table is loaded with more food. We are honoring solstice, an astronomical phenomenon marking the shortest day and the longest night of the year. For people throughout the ages—from the ancient Egyptians and Celts to the Hopi—midwinter has been a time of ritual, reflection, and renewal. 

Solstices happen twice a year, around June 21 and again around December 21. The date is not fixed, it varies; the December Solstice can take place on December 20, 21, 22, 23. While we usually think of the whole day as the Solstice, it actually takes place at a specific moment when the Sun is precisely overhead the Tropic of Capricorn. Solstice helps us cultivate a deeper connection to nature and to all of the things that matter most to us. It’s a time for feeding the spirit and nurturing the soul. Prayers and rituals set forth a plan of life for the coming year, ceremonially turning back the sun toward its summer path. 

Throughout history, honoring the solstice has been a way to renew our connection with each other and with acts of goodwill, special rituals, and heightened awareness. Solstice is also reserved for feeding the spirit and nurturing the soul. It’s a period for quiet reflection, turning inward, slowing down and appreciating the day, the hour, and each moment. 

While we don’t know how long people have been celebrating the solstice, we do know that ancient cultures built stone structures designed to align with the sun at specific times, and in ancient times the winter solstice was immensely important because the people were economically dependent on monitoring the progress of the seasons. There was an emphasis on the fall harvest and storing food for winter. 

Remembrance weighs heavy on my mind. Tonight as we near Winter Solstice, with a December moon above me, and the only light I can see, I’m falling back in time. My memories are washing over me like a series of massive waves hitting hard, without warning. As soon as I catch my breath another beautiful memory pulls me back home. My mind floats back over the years. Memories surface—and feelings that remain untouched in my heart, in that place of perpetual remembering. All those Winter Solstice nights of long ago, when we were young, and our elders walked this good earth with us, when we gathered for a good meal together, with storytelling, laughter, conversation, dance, and songs from the ancestors. Fire offerings of chia seeds, acorn flour, and berries were made, followed by prayer and ceremony. 

Now, I’m in my seventies, nearly the same age as the elder Native women who guided me, informed, instructed and shaped me into the woman I am today. I’m honoring my Indigenous community with gratitude for their love and the gift of their time they gave me, helping me give to others. 

With the night sky, dark and beautiful above, I walk toward the sea and stand silent in respect to the ancient peoples who left the witness of their lives, visions, and the strength of their faith for me to ponder. The scent of sage hangs in the air. I fill my lungs with it, knowing it will permeate my body and cling to my soul as a reminder of what I can feel and remember when we were together long ago. 

First Published at Words Facing West. 
Copyright © Terra Trevor. All rights reserved.

Terra Trevor is the author of We Who Walk the Seven Ways: A Memoir (University of Nebraska Press). Her essays are widely published in anthologies, including Tending the Fire: Native Voices and Portraits (University of New Mexico Press), Children of the Dragonfly: Native American Voices on Child Custody and Education (The University of Arizona Press), The People Who Stayed: Southeastern Indian Writing After Removal (University of Oklahoma Press), Unpapered: Writers Consider Native American Identity and Cultural Belonging (University of Nebraska Press), and Mixed Roots: Writers on Multiracial Identity and Both/And Belonging, forthcoming from Beacon Press, Fall 2026. She is the founding editor of River, Blood, And Corn. Terra writes at Words Facing West on Substack.

River, Blood, And Corn Literary Journal: A Community of Voices

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